Use of costume and make-up in Edward Scissorhands (mise-en-s essays

Use of costume and make-up in Edward Scissorhands (mise-en-s essays The costume and make-up in Edward Scissorhands is used generate feeling and emotions in the audience. There are stark differences in what Edward wears and looks like and what the humans wear and look like. I think that the costumes are supposed to guide the audience in to thinking what kind of characters the people will turn out to be. I think we are supposed to judge the characters by their look, at first. The humans are dressed in a typical 1950s style. This makes them look very simplistic in their ways, on the outside. The womens clothes are very bright and overly colourful. They are supposed to look very prim and proper. Most of the men are dressed either in work clothes or casual wear, suggesting normality. I think the colours used are supposed to generate the view that the townspeople are all very normal, and everything appears to be alright on the outside. The make-up on the women accents and highlights their look. It is no coincidence that Diane Keatons character is selling make-up, something used to cover up things. The industry she is involved in represents a very materialistic world and perhaps a fickle society. The houses are also very bright and false looking, almost like doll houses. Edward, in contrast, is dressed in dark and dreary clothes. The make-up used on him makes his skin look very pale, very ghostly and pasty. He is very gaunt looking and it gives the appearance of a skull. His clothes are all black, and have buckles on them which is a very gothic look. It is supposed to create the idea that like his appearance, Edward himself is very scary and sinister. It makes the audience wary of him. I think the costume is to be seen as part of Edward himself. This is a prime example of judging a book by its cover. The differences in look are used to highlight the nature of humankind as a whole. The house Edward lives in is very gothic ...

Pope Leo III - Charlemagnes Pope - Pope Saint Leo III

Pope Leo III - Charlemagne's Pope - Pope Saint Leo III Pope Leo III was also known as: Charlemagnes Pope Pope Leo III is noted for: crowning Charlemagne Emperor and establishing the precedent that only the pope could confer the imperial crown. Leo was also physically attacked in the streets of Rome by supporters of his predeccessor. Occupation Role in Society: PopeSaint Places of Residence and Influence: Italy Important Dates: Elected pope: Dec. 26, 795Attacked: April 25, 799Died: June 12, 816 About Pope Leo III: Rather than keeping the papacy independent of secular authorities, Leo deliberately took steps to ally with Charlemagne and his growing empire. Attacked in the streets of Rome by supporters of his predecessors nephew, Leo sought the aid of Charlemagne and eventually crowned him emperor, establishing an important precedent. As pope, Leo was adept in diplomacy and managed to keep his Carolingian allies from exerting any real influence on matters of doctrine. He died in 816. For more about Leo, visit your Guides Concise Biography of Pope Leo III. More Leo III Resources: Concise Biography of Pope Leo IIIImage of Leo crowning Charlemagne Leo III on the Web Pope St. Leo IIIFairly substantial bio by Horace K. Mann at the Catholic Encyclopedia.Pope Saint Leo IIIConcise collection of useful data, heavily hyperlinked, at the Patron Saints Index. Leo III in Print The links below will take you to a site where you can compare prices at booksellers across the web. More in-depth info about the book may be found by clicking on to the books page at one of the online merchants. by Richard P. McBrienby P. G. Maxwell-Stuart Chronological Index Geographical Index Index by Profession, Achievement, or Role in Society